Paying Tribute to The Laudanum Project

Australian macabre theatre group The Laudanum Project are on their way to Old Castlemaine Gaol to unleash their most nightmarish work thus far – The Grand Guignol Automaton.
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From out of their harrowing stew of visceral poetry and musical dissonance, they will bring to life the hideous story of Sandrine Moreaux, a tormented young woman with a terrifying past and an unspeakable future. Somebody once said that beauty is in the eye of the beholder. Of course this is true providing that the scrutinizing eye sees what is actually there. For if beauty is merely truth’s smile caught in a perfect mirror, what then happens when that smile finally dies and fades? Ask The Laudanum Project. If only they could be on their way to Edinburgh to appear on my chat show at the Festival Fringe. Well stranger things have happened; watch this space; but don’t hold your breath.
nitro nites jsbSet in Paris in 1920 this one act play explores the obsessions, phobias and waking nightmares of a young woman whose inverse perceptions of beauty and love lead her all the way from her sleepy village of Coulon and onto the neon smeared boulevards of Pigalle. Within this labyrinth of sleaze and danger Sandrine Moreaux hunts down the sanctified temple that has always haunted her dreams, the infamous Théâtre Du Grand Guignol. Taking refuge inside a darkened room within the theatre’s foyer Sandrine begins a terrifying journey that will leave her transformed and reborn. As narrator Alphonse Cheese-Probert pores over the hideously surgical minutiae of Sandrine Moreaux’s monstrous story the impossibly intense soundtrack created by Lady Sophronia Lick-Penny (Keyboards), Barnabas Oral (Percussion), and Shiny Helen (Accordion) forms an ever shifting musical tapestry that envelopes the entire story from beginning to end.
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With The Grand Guignol Automaton The Laudanum Project have once more ventured behind the curtain and conjured up a disturbing world where fear begets beauty, obsession begets love and ugliness is merely truth’s smile caught in a perfect mirror.
“Evoking Jean Genet and the penny dreadful, it both thrills and repulses, and will haunt you for days.” - Christopher Fieldus, Hana Theatre Journal
The Grand Guignol Automaton may be an unsettling piece of raconteur theatre but it is also a great piece of theatre.”
Myron My, Theatre Press
VENUE: Old Castlemaine Gaol, 36-42 Bowden St Castlemaine, Victoria, 3450
DATE: 16th & 17th of April
Time: 8:00pm
TICKETS: Full: $35 Concession: $30